Christine de Beer - effortless floral craftsman
To weave is to interlace bands or strands or strips of material at right angles to build up a patterned mat, surface or sculptural form
This is a great starting point to learn how to weave with foliage. No need to soften or prepare the leaves to be more durable or flexible.
I used iris and cymbidium leaves to weave with but typha, lily grass or New Zealand Flax is great for larger weaves.
In this tutorial I mainly used a balanced plain weave pattern that looks like a checker-board and is often described as a "one-up-one-down weave" or "over and under" pattern. There are many other weaving patterns but I find this to be the most versatile
To create an open ended weave:
Place a few blades of grass in a parallel horizontal position.
Weave a vertical pattern, with a new blade of grass, under and over the horizontal pieces.
Weave the second row, with a new blade of grass, over and under the horizontal pieces. Keep the weaving tight up against the previous row for a strong weave.
Handle with care- the weave will loosen up.
For a more secure weave you can try:
To create a closed ended weave:
Take the end piece from the horizontal blades and weave it over and under across the horizontal blades.
When you reach the other side, bend the blade over and weave it back the other way.
Add new sections of foliage or grass as needed, by overlapping the end pieces and continue weaving.
To create a curve on one side:
Take the end blade from the horizontal pieces and weave it over and under across the horizontal blades of iris leaves. Bend the next end piece from the same side as the first piece and weave across.
To create an edge that tapers on both sides:
Take a strand from the horizontal pieces and weave. When this blade reaches its last full length of the weave, bend it over at the end, catching the end horizontal blade, and weave over the next horizontal blade and tuck it under the next horizontal piece. Cut any extra length. Bend the next blade from the other side (the opposite side of the previous weaving blade) and continue the weave.
Securing loose strands and finishing the woven design
Finish the weave neatly by folding the loose strands over or under the previous weave line.
Once you know how to weave you can start to experiment with your design: turn the pattern for a diagonal weave, add woven flowers, weave shapes, loosen the weave, pull an area tighter to create tension and curl the weave.
Weave a few loops into the pattern
Weave a gap
Weave ribbon into the design
Weave in strands of ripped leaf
or add a variegated leaf as contrast.
A Special note about weaving with Flax:
Harvesting and preparation:
Do not cut the central shoot form the flax plant when harvesting. This weakens the plant.
Do not cut in rain or at night- the foliage will be hard to work with because of the added moisture.
Leave the leaves for an hour in the sun to soften- but no more as this will cause the leaves to roll up or become brittle.
Hold the dull underside of the leaves against the back of your knife blade and pull through. Turn the leaf over and do the other side. This removes added moisture and the leaf dry to a better colour
Weave grasshoppers or butterflies (or fireflies) from palm leaves
I wove my bird from shaved wood but you can also use flax, coconut palm (more traditional) or paper or ribbon
Dark and dramatic burgundy lilies are tucked in low to line a fan shaped basket that unravels into an unruly nest
"Plaid" and "braid" are synonyms, and where you are from will most likely dictate whether you use plait (British) or braid (American or Celtic). Some people also refer to...
The name Cymbidium or boat Orchid is derived from the Greek word Kumbos meaning "hole or cavity", referring to the hollowness in the base of the lip of the flowers.
When you need inspiration for a design problem study a Traditional Craft- you will be amazed!
Here are a few more examples of woven flax. I also use Typha, palm, iris leaves, Kyogi paper, boat orchid leaves and aspidistra to weave with.
Flax Christmas tree "cake" for the Floral Trends Design Group end of the year function.
My third design in my demonstration at the BC Floral Art Society meeting
Weave a sphere from grass to catch a precious and exquisite and perfect glistening early autumn dew drop
This was the first two designs for my Floral Art and craft demonstration at The Capilano Flower Arranging club
After a long winter it is always fun to use the first spring bulb flowers!
My article and woven ring-box design featured in the DIY Wedding Magazine
A look at the Old and New of Floral art
My article and woven heart basket design featured in the third anniversary issue of <strong>DIY Weddings Magazine</strong>
Split a few bamboo sections to create a happy water source for miniature orchids
This was the fourth design I did in my "I found it this way" floral art demonstration
Weave a basket with dangling edges for a single orchid display
Loosely weave grass to create a decorative grid keeping flowers in place over a square container.
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Weave a trap to keep your floral details suspended in a square container.
My article and grass wedding basket design.
This week I am so excited to share my article and design that was published in the recent issue of the Floral Art Society of New Zealand's Academy Magazine for NZ qualified...
Loop a grass veil over a lily stem to create a minimalist summer design.
Last Wednesday I had such a flowery fun evening teaching a collaborative floral carpet workshop focusing on braiding and weaving ideas from my book the effortless floral craftsman...
Some picture highlights from our collaborative workshop that I taught focusing on braiding and weaving techniques to create a floral carpet design.
A design so fine you can easily miss it... if it were not for the interwoven pebbles catching your eye.